© Barbara Mürdter 
Monday, December 31, 2007
Saturday, November 17, 2007
Papilliary Breast Cancer
death of a "fast-Beatnik-adventurer"
his first Pulitzer Prize Norman Mailer won for his book "Armies of the Night," "Armies of the Night". In it he describes in the march on the Pentagon in October 1967. Thousands of demonstrators, many of them hippies, turned at the end of the Summer of Love against the Vietnam War policies of the U.S. government.
aufmerksamkeitsoekonomie Last Saturday died the American writer Norman Mailer. He was one of the last of the great postwar generation of writers in the country. Already with his debut novel "The Naked and the Dead" in 1948, he entered the international literary stage. Until recently he was a provocative and pugnacious spirit, which was not always friends, but strongly polarized. Many mistakes he later saw a self, but he remained true to its basic ideals.
his first Pulitzer Prize Norman Mailer won for his book "Armies of the Night," "Armies of the Night". In it he describes in the march on the Pentagon in October 1967. Thousands of demonstrators, many of them hippies, turned at the end of the Summer of Love against the Vietnam War policies of the U.S. government.
on the literary stage in 1948 he was with his debut novel "Came the naked and the dead. In this anti-war novel, he processed his experiences as a soldier in the Pacific. He is still considered one of, if not the, most important anti-war novels of the century. This is already a central theme is set, the mail should accompany work. He described the fighting less than the psychological disposition of the soldiers, the inner conflict of people in a cold, brutal industrialized society that extols as ideals of freedom and self-realization.
Mailer was in 1923 grew up in a Jewish family in New York City borough of Brooklyn. The father was a clothing dealer, not very good at business, but very stylish. The pants in the house had the mother, whose father was once again one of the most important rabbi of the city. Apart from the fact that he is said to have spoiled the mother beyond measure, he showed outstanding performance in school.
He was already approved with 16 years at the Harvard College to study Luftfahrtbau. He graduated successfully 1943. However, he had in that time the literature and discovered it was determined to be a writer. later he was called up to a year, he wrote an unpublished novel and attended writing classes. There he learned claims to know how to do it.
After the release of his debut novel, he should never be without controversy be. He first went with a friend to Hollywood, where he failed as a terrific writer. The next two novels were well behind the debut.
Influenced by the vivid and groundbreaking cultural scene in New York's Greenwich Village, he was a founder of the influential political culture magazine, "Village Voice". He described himself as "fast-Beatnik-adventurer." In 1957 he published a key text of the emerging pop culture, "The White Negro," "The White Negro." This was released two years later in the essay Sammung "Advertisements for Myself," "advertisement for myself". This put him back on the map of the literary scene and proved that he was not a fluke.
With the 60s came time Mailer: codes of conduct were changing, new ways of coming through and he was in the middle. For Esquire and other publications, he said as a sharp observer of the opinion joyful social upheaval years. An article about John Kennedy, "Superman Comes to the Supermarket," is said to have nachgeholfen even the Kennedy election to the presidency. Actively in the anti-Vietnam war movement, was his novel "Armies of the Night" one of the best eyewitness accounts and comments on the subject. He was one of the founders of New Journalism-style a combination of factual reporting and narrative form of the novel.
end of the decade, he turned again to the film, where he was based on the style of Andy Warhol. Legendary was a scene from "Maiden Stone," where he bit off the actor Rip Torn in a non-staged duel a piece of ear. Mailer has been repeatedly attacked for its alleged romanticization of violence. He was always combative, most fortunately, verbally. So he had with fellow writers like Gore Vidal legendary feuds over which he profiled. He was drunk but also likes to physical fights, was prone to domestic violence and injured his second wife once difficult with a knife.
The testosterone-defying macho and became the stereotypical image of the enemy excessive for the emerging women's movement: they regarded him as a chauvinist pig. Mailer was no one in the small and were shot back. Often enough it was only a loss and did not understand what the problem was. The prominent women's rights activist Gloria Steinem gave him at a dinner the tip. "If you want to know what the women have against you, try getting easy to read even your books" In response to the attacks was released in 1971 "Prisoner of Sex", " prisoner of sex ".
1979 he won with the historical novel "The Executioners Song" "Mercy," his second Pulitzer Prize. He was to be his last major success. He schriebt here about the first criminal who was executed since reinstatement of capital punishment in the United States, Gary Gilmore.
Mailer saw himself primarily as a novelist had, however, be necessary cash with journalistic work and non-fiction books like biographies of Pablo Picasso, Marilyn Monroe deserve. He endured six ex-wives and nine children and was often in spite of the success in financial difficulty. However, he indulged extensively the celebrity life that he had one of the first ever designed to be sought and found. He was a frequent guest in various television talk shows
remained until his death Mailer, a sharp political commentator who spoke out for human rights and against wars like the Iraq war. In 2005 he handed over his private archives for 2.5 million dollars to the University of Texas. Most recently, he saw with his novel "The Castle in the Forest", "Castle in the Forest" for attention. Here he brought in a vague biographical description of Hitler's conception and childhood and the absolute evil together. In his last days of former atheist was also left to God, if only due to a Christian. "I believe in reincarnation," he said in one of his last interviews, "but not for everyone. It is a . Art Award "aufmerksamkeitsoekonomie
© Barbara Mürdter 
Sunday, October 28, 2007
Waxing Uneven Eyebrows
good for a wife?
Barbara Mürdter
text published by langeleine.de .
What does feminism today? Does it still exist? It must give him up, where we have a Chancellor and one more men, on the street, pushing the stroller?
you up so well in childbearing
you up so well in the bag dragging
you are so good in the back of wobbling on high heels
you can go
How did you manage that? - Man you have a lot of power
How did you manage that? - Are not you afraid?
How did you manage that? - Who taught you that?
As the guy says as Compliment:
... good for a woman
Hans-A-Plast "For a wife"
Hot topic is the way that we rhyme hot topic
is the way that we rhyme
So many roads and so much opinion So much shit
to give in, give in to
So many rules and so much opinion So much bullshit
but we will not give in
Stop , we will not stop
Le Tigre - Hot Topic
Barbara Mürdter
Audio:
text published by langeleine.de .
What does feminism today? Does it still exist? It must give him up, where we have a Chancellor and one more men, on the street, pushing the stroller?
The mass media report every now and then on the so-called gender mainstreaming, the differences between the incomes of men and women, or crude anti-feminists as Eva Herrmann. Feminism itself is still connected to the 70's and Alice Schwarzer. With the association with dust, passing, all in butter.
This will now change the author Sonja Eismann . In a volume of essays makes them 28 young women about feminism and female identity in popular culture to speak.
you up so well in childbearing
you up so well in the bag dragging
you are so good in the back of wobbling on high heels
you can go
How did you manage that? - Man you have a lot of power
How did you manage that? - Are not you afraid?
How did you manage that? - Who taught you that?
As the guy says as Compliment:
... good for a woman
Hans-A-Plast "For a wife"
good for a woman - the punk band sang the Hanoverian Hans-A-Plast around 1980. Out of date or is it because of either of something familiar?
Sonja Eismann , journalist and author has collected in a new book of essays by feminists of today. They give various insights into the reality of life popkultursozialisierter young women.
you are no longer with posters on demonstrations to fight for their rights. Feminism has often shifted in the cultural field. Press here it out and resist sexist opinions and exclusion mechanisms. They help their friends and encourage other women to be active.
"Hot Topic" called the Iceman, edited by her book - a burning issue. In the preface, she notes that at current feminism and pop culture for ten years in Germany, no literature has been published. Unlike in the U.S.. There developed in the 90 years the so-called third wave feminism. This built on the feminism of the 70s, but the focus shifted according to the prevailing circumstances and insights. Again, the feminist activism shifted in the cultural field. The development was often in book form documented. Even in the German-speaking world there are many activities such as female DJ crews, bands and coming from the USA Lady festivals. But lacked the literature.
are thrown together thematically Accordingly, the 28 short essays, Eismann deliberately had asked only of women. A quota man she thought was an unnecessary and wrong fig leaf. In the first part of the book is about the female body as a social battlefield - anorexia in response to social powerlessness, pleasurable sexuality and contraception, unseemly body hair and gender identity. In the second part of the book, the authors examine experiences in everyday life - whether on the Work, playing football, making music or feminist activism. This is no longer a question that you need as a wife of her husband's permission to pursue a vocational activity. The law was abolished in 1976 under pressure from the feminist movement at that time. This is about many little sexist discrimination and self-evident truths that are stuck in our thinking and action. Also in the women themselves do not deny what the many - men consciously defend their privileged position when push comes - even on the pro-feminist.
Almost all authors report from personal experience that'll put them in a larger context. This makes the book even for non-academics to understand and easy to read. The topics can only be touched upon in the near future. But they give a good overview of various current discourse. The book is recommended for younger women who are not sure to what extent they are hypersensitive to sexism in everyday life or whether to make other similar experiences. There are also suggestions about their own activities, but unfortunately too few and no concrete contact, as is common in the U.S. publications.
The book is also interested men recommended. Maybe they do it similarly to a quoted professor who made a study on abortion. Upon publication, he noted, perplexed: ". I had never before thought about what it's like to be a woman"
Hot topic is the way that we rhyme hot topic
is the way that we rhyme
So many roads and so much opinion So much shit
to give in, give in to
So many rules and so much opinion So much bullshit
but we will not give in
Stop , we will not stop
Le Tigre - Hot Topic
"Hot Topic" - Popfeminis mus today by Sonja Eismann (Publisher) appeared Published in valve and costs EUR 14.90.
aufmerksamkeitsoekonomie © Barbara Mürdter 
Thursday, October 4, 2007
Monday, October 1, 2007
Best Dslr Camera Bags
Flatstock Europe 2
Text and photos by Barbara Mürdter
The second Flatstock Europe , an international gathering of Poster artists what took place in the Reeperbahn Festival in Hamburg, fell this year, it came to the number of the attending representatives of the guild, very poor. Reason: The organizers could not ausmähren and they were only five Weeks before the event, sure they want to do this now anyway. Too late, especially for artists from overseas who could not get cheap flights more.
stood as only nine measly Zeltchen on the Spielbudenplatz, including Lil Tuffy, who indicated last year it was and has now fallen in Hamburg, because it is so similar as the native of San Francisco is. The open space solution - single tents and free space in the middle as opposed to a big tent last year - would have been beautiful in the sunshine. Unfortunately, you have the end of September times like rain and wind, as demonstrated by posters do not make good. Thus, the exhibits had to be strapped on the first day and, at last brought to the continuous rain in safety. Revenue is fine, said the parties involved.
Dan MacAdam, co-organizer of the American Poster Institute (API) , spoke of a "break even", so that he purely got at least his costs again and maybe even a has made little profit. But this also indicates that most poster artists have "real" jobs, of which they live as frit said from Dusseldorf.
He also explained the fundamental difference between the "Poster scenes" in the U.S. and Europe. Here is the poster for the whole tour, which will offset prepared and then gets a white stripe for each place, as usual. This is our exotic silkscreen poster in a run of mostly up to hundreds, which advertises for an evening, whereas in the U.S. are commonplace.
So there was the Flatstock that Post-convention of the screen printers, also the first time in 2002 in San Francisco and held there regularly, for example, within the SXSW. And all with more than a few verprengten Zeltchen and visitors. If one looks at the history of poster art, and especially the development of the music poster, at issue is indeed the crux of it is amazing that such a thing is not been around since the 60s.
If the next year with the Reeperbahn Festival runs so bad, you should send the times to Pop Up music fair in Leipzig. Or regardless of - Finally, there is in Europe yet and right now marketed by such an event certainly many friends inside.
Text and photos by Barbara Mürdter
The second Flatstock Europe , an international gathering of Poster artists what took place in the Reeperbahn Festival in Hamburg, fell this year, it came to the number of the attending representatives of the guild, very poor. Reason: The organizers could not ausmähren and they were only five Weeks before the event, sure they want to do this now anyway. Too late, especially for artists from overseas who could not get cheap flights more.
stood as only nine measly Zeltchen on the Spielbudenplatz, including Lil Tuffy, who indicated last year it was and has now fallen in Hamburg, because it is so similar as the native of San Francisco is. The open space solution - single tents and free space in the middle as opposed to a big tent last year - would have been beautiful in the sunshine. Unfortunately, you have the end of September times like rain and wind, as demonstrated by posters do not make good. Thus, the exhibits had to be strapped on the first day and, at last brought to the continuous rain in safety. Revenue is fine, said the parties involved.
Dan MacAdam , Chicago
Dan MacAdam, co-organizer of the American Poster Institute (API) , spoke of a "break even", so that he purely got at least his costs again and maybe even a has made little profit. But this also indicates that most poster artists have "real" jobs, of which they live as frit said from Dusseldorf.
frit , Dusseldorf
He also explained the fundamental difference between the "Poster scenes" in the U.S. and Europe. Here is the poster for the whole tour, which will offset prepared and then gets a white stripe for each place, as usual. This is our exotic silkscreen poster in a run of mostly up to hundreds, which advertises for an evening, whereas in the U.S. are commonplace.
Casey Burns , Portland, Oregon
So there was the Flatstock that Post-convention of the screen printers, also the first time in 2002 in San Francisco and held there regularly, for example, within the SXSW. And all with more than a few verprengten Zeltchen and visitors. If one looks at the history of poster art, and especially the development of the music poster, at issue is indeed the crux of it is amazing that such a thing is not been around since the 60s.
Mara Piccione , Groningen
If the next year with the Reeperbahn Festival runs so bad, you should send the times to Pop Up music fair in Leipzig. Or regardless of - Finally, there is in Europe yet and right now marketed by such an event certainly many friends inside.
Andreas van Iterson , Groningen
aufmerksamkeitsoekonomie © Barbara Mürdter 
Monday, September 10, 2007
Whats The Name Of The Song That Says Slowly
percussionist
aufmerksamkeitsoekonomie © Barbara Mürdter 
Thursday, August 30, 2007
Legal Sell Condoms Minors Canada
"We are not a neutral Museum
a shorter version of this article is in the taz, 30.08.2007 to find
By Barbara Mürdter
recalls A new museum in Liverpool on the transatlantic slavery and its consequences. The focus of the analysis is on the resistance which the slaves and their descendants contributed to their oppression and their cultural heritage
In the dark oval is the viewer is surrounded by four large screens. It is seeing a black man. He lies naked in chains on rocking, creaking planks. His face is contorted with pain, he moans softly, throws up. This installation with artistically distorted view is an attempt at rapprochement with one of the worst crimes of the recent human history. It is relatively harmless compared to the unrepresentable what really happened, and leaves much to the imagination. "It is impossible to recreate today really know what happened then to the slave ships," says Richard Benjamin, director of the newly opened International Slavery Museum in Liverpool about the centerpiece of the exhibition.
The new museum is a showpiece with a total budget of about fifteen million euros, the United Kingdom on the occasion of the 200th Anniversary of the legal abolition of the slave trade in Great Britain does. The political and cultural establishment, including Queen, Anglican Church, and prominent politicians paid tribute to the occasion throughout the year with solid records and events. Any museum that anyone has to be dug, his trove of something that fits the theme or did their own exhibitions - if often only small - in order. At the center are often prominent abolitionists, led by William Wilberforce, who fought with the law in Parliament. You knock yourself on the back for the services of those compatriots who opposed, mostly from Christian-moral motives, the cruelty of slavery and against them were active. Also celebrated a historic event - it's all been 200 years ago and long gone.
The descendants of the slaves and the people who see in the regions devastated by the slave trade in West Africa which, however, different. Not only that they are considered by most whites as nonsense discussions for an official apology from the British head of state and even Restitution relapse. They also posed the question: Is not that an inverted world, stylize in which the people of the perpetrators and profiteers as liberators of the poor slaves? They placed value on the black especially historians in recent years underpinned fact that slaves were not simply passive victims, but despite the degrading circumstances and their limited scope of action campaigning actively for their own liberation.
This view determined the design of the exhibition - and this is new. It begins with a commitment: ". We will remember" This is the answer to the statement of former slave William Prescott, at the beginning Tour the Museum is: "You will recall that we were sold, but not because we were strong. You will recall that we were bought, but not because we were brave. "
In the first part of the richness of culture in West Africa and is represented at the time of the transatlantic slave trade. Showcases with products of craftsmanship, but also references to the intellectual life - particularly under the influence of Islam - are gathered around a replica of a hut of Ibo tribe.
The second room in the middle of the installation of the ship's passage is, deals with the period of slavery and is the centerpiece of the exhibition. Life on the plantations is shown in contemporary photographs and models. Display cases are filled with artifacts that symbolize the wealth, accumulated the traders and slave owners. On the other hand there are the episodes that had the kidnapping of Economy and Culture in West Africa. Cold figures on cards of transport quantities and revenues are credited. The ear is always the man moaning on the boards and the plaintive recitation of a text on the lot of the carryover.
Again, the slave described as an active agent who fought for freedom, wherever he can - even if one exposes himself to the charge of romanticism, so Benjamin: "The tone of this exhibition is the resistance." In the one an oil painting from the 19th Century issue, the fight an escaped slave with an ax to dogs that have hounded him, they break with the racist notion that black slave could not defend themselves. Was a major point of discussion in the current debate but was left out completely: the role of black tribal leader who bartered their own people against European goods. It might have been those who want to relativize the European guilt in this crime, can take quite a historically correct representation of the wind from the sails.
The third area deals with the legacy of slavery. This is the most courageous part of the exhibition because it deals with controversial issues such as racism in contemporary British society and restitution payments. A figure in an obviously worn Ku Klux Klan outfit is doomed for the existence of the exhibition on a wall to stare at the liberation of Africa from the colonial yoke and the emancipation of African Americans is presented. But the exhibition approach is adopted in accordance with particular emphasis on the cultural achievements, which changed the African Diaspora in the Western culture. Stories of diaspora members are told from their successes and their search for the roots.
Latin America is here, as throughout the exhibition, too short while back then curiously African ex-colonies of Great Britain come into play that were not directly affected by the transatlantic slave trade. As it has lost as well as elsewhere in the exhibition, the complexity of the topic a bit up the thread.
In general, there are some well-meaning museum approaches that have succeeded only partially. Benjamin thus stresses more than once occasion, the importance of the innovative technical presentation of the new museum was. The public had changed its expectations in recent years. In fact, blinks and talks and it meanders all over the place - though the presentation has, overall, complex, but rather conventional. The lovingly-made small models of a plantation and a slave ship, one could almost call it cute, would be the subject not so serious. In return you can feel overwhelmed when you get fed babbles on all sides and also have this or that sound the ear can get and are focused specifically on anything. Even in the set up by a voodoo priest memorial altar for the ancestors, is to offer a place of rest, one finds no rest. There are the various stations useful where you are short films on aspects such as Development of certain contemporary music can look silence from African roots - and the sound comes through the headphones. If in doubt, you can sometimes press the pause button.
also that the museum relies heavily on education and working with children can be annoying when you're older than twelve and blessed with an at least average IQ. However, one must not forget how important is this aspect: To date, the transatlantic slave trade, not a compulsory part of the curriculum in British schools. Many black Britons learned in connection with the anniversary for the first time details from their own past. "By Next year, the across the country are fixed in the curriculum, "Benjamin hopes. The museum provides a learning station and the guidance of trained personnel to almost bring children and young people the topic. In Phase II of the museum in 2010, a new building to be completed. Here will be built next to another exhibition on contemporary forms of slavery, a separate research and education center.
is very critical to note the conclusion that an exhibit on black history, as can be seen at present, appears to have been designed largely by white scientists - and it also seems to stand out to anyone. For here does the skin color is a Role. Black Brits have not only their own perspective on racism today, they experience first-hand, but also their family stories, which are inextricably linked with slavery. Benjamin, who grew up in Yorkshire and his father in the 50 years, immigrated from Guyana, was taken in November last year on board, set up a black group did recently. According to Benjamin while a close contact exists to the Black community in Liverpool, which would be regularly informed about developments at the museum and asked for their opinion. But a word of it, that she was asked primarily to suggestions and ideas, or that their members and also a central role in properly paid the design had been granted.
"We certainly have not done everything right," said Benjamin. "We're always open to add things and change it. It is important that we promote discussion. We want to challenge people in their pre-thinking. We are not a neutral Museum
International Slavery Museum , Albert Dock, Liverpool, United Kingdom
opening times daily from 10 to 17 clock
audio.
Interview with Richard Benjamin, director of the International Slavery Museum . hear
a shorter version of this article is in the taz, 30.08.2007 to find
By Barbara Mürdter
recalls A new museum in Liverpool on the transatlantic slavery and its consequences. The focus of the analysis is on the resistance which the slaves and their descendants contributed to their oppression and their cultural heritage
In the dark oval is the viewer is surrounded by four large screens. It is seeing a black man. He lies naked in chains on rocking, creaking planks. His face is contorted with pain, he moans softly, throws up. This installation with artistically distorted view is an attempt at rapprochement with one of the worst crimes of the recent human history. It is relatively harmless compared to the unrepresentable what really happened, and leaves much to the imagination. "It is impossible to recreate today really know what happened then to the slave ships," says Richard Benjamin, director of the newly opened International Slavery Museum in Liverpool about the centerpiece of the exhibition.
The new museum is a showpiece with a total budget of about fifteen million euros, the United Kingdom on the occasion of the 200th Anniversary of the legal abolition of the slave trade in Great Britain does. The political and cultural establishment, including Queen, Anglican Church, and prominent politicians paid tribute to the occasion throughout the year with solid records and events. Any museum that anyone has to be dug, his trove of something that fits the theme or did their own exhibitions - if often only small - in order. At the center are often prominent abolitionists, led by William Wilberforce, who fought with the law in Parliament. You knock yourself on the back for the services of those compatriots who opposed, mostly from Christian-moral motives, the cruelty of slavery and against them were active. Also celebrated a historic event - it's all been 200 years ago and long gone.
The descendants of the slaves and the people who see in the regions devastated by the slave trade in West Africa which, however, different. Not only that they are considered by most whites as nonsense discussions for an official apology from the British head of state and even Restitution relapse. They also posed the question: Is not that an inverted world, stylize in which the people of the perpetrators and profiteers as liberators of the poor slaves? They placed value on the black especially historians in recent years underpinned fact that slaves were not simply passive victims, but despite the degrading circumstances and their limited scope of action campaigning actively for their own liberation.
This view determined the design of the exhibition - and this is new. It begins with a commitment: ". We will remember" This is the answer to the statement of former slave William Prescott, at the beginning Tour the Museum is: "You will recall that we were sold, but not because we were strong. You will recall that we were bought, but not because we were brave. "
In the first part of the richness of culture in West Africa and is represented at the time of the transatlantic slave trade. Showcases with products of craftsmanship, but also references to the intellectual life - particularly under the influence of Islam - are gathered around a replica of a hut of Ibo tribe.
The second room in the middle of the installation of the ship's passage is, deals with the period of slavery and is the centerpiece of the exhibition. Life on the plantations is shown in contemporary photographs and models. Display cases are filled with artifacts that symbolize the wealth, accumulated the traders and slave owners. On the other hand there are the episodes that had the kidnapping of Economy and Culture in West Africa. Cold figures on cards of transport quantities and revenues are credited. The ear is always the man moaning on the boards and the plaintive recitation of a text on the lot of the carryover.
Again, the slave described as an active agent who fought for freedom, wherever he can - even if one exposes himself to the charge of romanticism, so Benjamin: "The tone of this exhibition is the resistance." In the one an oil painting from the 19th Century issue, the fight an escaped slave with an ax to dogs that have hounded him, they break with the racist notion that black slave could not defend themselves. Was a major point of discussion in the current debate but was left out completely: the role of black tribal leader who bartered their own people against European goods. It might have been those who want to relativize the European guilt in this crime, can take quite a historically correct representation of the wind from the sails.
The third area deals with the legacy of slavery. This is the most courageous part of the exhibition because it deals with controversial issues such as racism in contemporary British society and restitution payments. A figure in an obviously worn Ku Klux Klan outfit is doomed for the existence of the exhibition on a wall to stare at the liberation of Africa from the colonial yoke and the emancipation of African Americans is presented. But the exhibition approach is adopted in accordance with particular emphasis on the cultural achievements, which changed the African Diaspora in the Western culture. Stories of diaspora members are told from their successes and their search for the roots.
Latin America is here, as throughout the exhibition, too short while back then curiously African ex-colonies of Great Britain come into play that were not directly affected by the transatlantic slave trade. As it has lost as well as elsewhere in the exhibition, the complexity of the topic a bit up the thread.
In general, there are some well-meaning museum approaches that have succeeded only partially. Benjamin thus stresses more than once occasion, the importance of the innovative technical presentation of the new museum was. The public had changed its expectations in recent years. In fact, blinks and talks and it meanders all over the place - though the presentation has, overall, complex, but rather conventional. The lovingly-made small models of a plantation and a slave ship, one could almost call it cute, would be the subject not so serious. In return you can feel overwhelmed when you get fed babbles on all sides and also have this or that sound the ear can get and are focused specifically on anything. Even in the set up by a voodoo priest memorial altar for the ancestors, is to offer a place of rest, one finds no rest. There are the various stations useful where you are short films on aspects such as Development of certain contemporary music can look silence from African roots - and the sound comes through the headphones. If in doubt, you can sometimes press the pause button.
also that the museum relies heavily on education and working with children can be annoying when you're older than twelve and blessed with an at least average IQ. However, one must not forget how important is this aspect: To date, the transatlantic slave trade, not a compulsory part of the curriculum in British schools. Many black Britons learned in connection with the anniversary for the first time details from their own past. "By Next year, the across the country are fixed in the curriculum, "Benjamin hopes. The museum provides a learning station and the guidance of trained personnel to almost bring children and young people the topic. In Phase II of the museum in 2010, a new building to be completed. Here will be built next to another exhibition on contemporary forms of slavery, a separate research and education center.
is very critical to note the conclusion that an exhibit on black history, as can be seen at present, appears to have been designed largely by white scientists - and it also seems to stand out to anyone. For here does the skin color is a Role. Black Brits have not only their own perspective on racism today, they experience first-hand, but also their family stories, which are inextricably linked with slavery. Benjamin, who grew up in Yorkshire and his father in the 50 years, immigrated from Guyana, was taken in November last year on board, set up a black group did recently. According to Benjamin while a close contact exists to the Black community in Liverpool, which would be regularly informed about developments at the museum and asked for their opinion. But a word of it, that she was asked primarily to suggestions and ideas, or that their members and also a central role in properly paid the design had been granted.
"We certainly have not done everything right," said Benjamin. "We're always open to add things and change it. It is important that we promote discussion. We want to challenge people in their pre-thinking. We are not a neutral Museum
International Slavery Museum , Albert Dock, Liverpool, United Kingdom
opening times daily from 10 to 17 clock
audio.
Interview with Richard Benjamin, director of the International Slavery Museum . hear
aufmerksamkeitsoekonomie © Barbara Mürdter 
Friday, July 13, 2007
Thursday, July 12, 2007
Tuesday, July 10, 2007
Who Wears Sleeveless Undershirts
What it means to black to be
of: long leash 27 June 2007 / Copyright text and photos by Barbara Mürdter
Audio:
interview with Frank Castorf to 'Angelo Negro "( " mp3 )
Read more: Interview with
Castorf in the world
criticism Castorf staging at ostblog. de
review on Nachtkritik
review in the taz
of: long leash 27 June 2007 / Copyright text and photos by Barbara Mürdter
About the omnipresent racism: An interview with Frank Castorf and his Brazilian actors that the staged in the South American country song "Black Angel" now as a guest performance in Berlin show
In No other country the world are the breed mixed in Brazil. After the late abolition of slavery (1888), there was never an official segregation. Stefan Zweig swarmed mid-20th Century: "It is touching to have the children adapt to all shades of human skin color - chocolate, milk and coffee - to see it coming arm in arm from the school." But what is public can not be named, as shameful and bad manners, reflected in statistics and everyday experience: Brazilians with African ancestors, the worse cards have in life - due to lack of educational opportunities, a higher rate of violence but also of prejudices that are already in the kindergarten education created, because it includes the teachers and teachers deal with children differently than white and black. The bitterest: The Afro-Brazilians themselves have internalized these negative stereotypes.
Ismael tortures his wife out of hatred for his skin color - A scene from Frank Castorf "Black Angel"
parable on race relations
The black self-hatred and the underlying racial problems were popular in 1946 by the Brazilian writer Nelson Rodrigues in the play "Black Angel" taken up. In his parable about the racial ratio in his country, he describes a black physician who is white too full of self hatred and the desire, raped a white woman. He marries, and the woman brings her hand on a regular basis in their hatred to their half-black children. The characters are caught in a cycle of mutual dependence.
Castorf Frank took up the controversial document and was engaged for a production in Sao Paulo, after he had listed there are "Jungle of the Cities". Time of its construction is the substance have been scandalous, full of taboos, says Castorf. Not only because of the sexually-pornographic side of the piece and the offensive approach to racial issues, but also because the main character was a black man: "At that time had to be the be played by a white actor who was black makeup." Because he Rodrigues' play but was too nihilistic, be added Castorf it with pieces of Heiner Mueller's "The order "- a play about the failed attempt by the export of the French revolution to Haiti. He wanted to show that "may change some people in certain situations the world."
A Brazilian author, a German author and the subject of racism
The author Nelson Rodrigues is a bar healer of Brazilian culture, almost a little boring for the locals. An actress says: "We were fascinated Castorf subversive use of the Rodrigues text. The self-in-the-other-empathy, to understand it, comes in the original is not available. "The actors are in turn largely unknown in Brazil by the miller and his involvement with the uprising in Haiti have been done, because they identify content could, if there was a black man, for example, says, "I said, slaves have no home. Not true. The home of the slaves, the insurgency. "And in another monologue, the term raises the slave to a level beyond the race on the Out of the hives.
"Whether you are referred to as Afro-Brazilian, is a political decision": A young actress from Castorf team reviewed their appearance
That the issue of racism, the Castorf here negotiated on an abstract aesthetic level, in the Brazilian society is highly relevant, both my Castorf and his Brazilian actor. "Racism in Brazil is much current as it refuses to acknowledge the official intellectual Brazil," says the director. At the moment there was a heated discussion about quotas for black students at universities. Currently, only 4% of students are Afro-Brazilians, with a Population of almost 50%. Further reports Castorf: "While Sao Paulo is still quite enlightened, you have to go to Salvador only once - there are the living conditions not unlike some parts of Africa. There is an extreme inequality. You can tell because the extreme importance if we say let us unite it and make something different. "
" In the Brazilian theater system there are seldom so many blacks on the stage "
As Castorf looking young black actor, was find it at the University of Sao Paulo. He held talks and met with several students on the black theater group "Filhos de Olodum ". "This was the first time that they have so established an Afro-Brazilian group and expressed openly that they have other interests than the others," says Castorf. Gal Quaresma, a member of the group, says: "We have sat down and discussed what it means to be black, what we want to talk specifically as an Afro-Brazilian actors, as we want to be an actor. And as we face the fact that it is harder than black, to live as an actor. "The political attitude to the issue of racism was an issue that Castorf, who had considered working with professionals, convinced to engage the drama students.
Castorf occupied "white" roles black and vice versa
Even today, "we find it rare in the theater being in Brazil that many black actors on the stage," Castorf said in view of its staging. The black actress and singer Denise Assunção Castorf has in mind for the lead role of white Virginia "wrong" busy - so just as the black main character Ishmael is played by a white man. Denise Assunção confirmed the impression that disproportionately represented in the Brazilian media in general White and would blacks were mostly seen only in stereotype roles. She adds: "It's getting a little better." Assunção has since the late 60's on stage. It must, however, until today because of her looks, which does not match the current beauty ideals of (white) femininity, often take other jobs to survive, "If you're black and it has a broad nose and thick lips, apply it as unfeminine . They seldom are lucky, a director it just because of the "other active" appearance.
"A laugh about their own pain"
In Brazil , the stage play "Anjo Negro" as "Black Angel" in the original is, although it is so painful and brutal, energized the audience in part, a certain serenity, "It was more of a laugh out of discomfort of being confronted with things which we suppressed. And a laugh about their own pain - can take place like this. And because there is no pure race in Brazil, is any kind of a bit of a hit and laugh, too, "say the actor. Recently, the festival of theater in Hanover as a guest is Frank Castorf "Black Angels" today and tomorrow as part of the Brazilian week to look at the adult stage in Berlin.
Audio:
interview with Frank Castorf to 'Angelo Negro "( " mp3 )
Read more: Interview with
Castorf in the world
criticism Castorf staging at ostblog. de
review on Nachtkritik
review in the taz
aufmerksamkeitsoekonomie © Barbara Mürdter 
Sterling Zippo On Ebay
Make Love not War
abbreviated version appeared in the taz from 07/10/2007
Suspected sex films to hit the new EU platform on the video portal YouTube
better it would not be eligible for the makers can: with a minor scandals are procured, the new YouTube channel of the European Union's unexpected popularity. Some EU officials had dared to loosen his tie knot a bit. They cut together for a publicity campaign for the European film of MEDIA scenes from award-winning European films to emotional issues such as love, grief and friendship - and, more than Geck, about sex.
In the clip, which runs on YouTube under "Film Lovers Will Love This," will be shown in 44 seconds 18 love scenes. be hectic as things torn from the body, it gets a little moaning and shaking the dishes to the rhythm of the body. Anything with wit and without a Fitzelchen meat is visible from the "wrong" place. The whole thing bothered anybody for a long time. The commercials were shown at the Berlinale in February and since then also be seen on the relevant EU sites. Mid-June, they were - and still to the exclusion of the wider public - on YouTube.
Only as of 29 June, the EU's YouTube channel has been opened officially, British press discovered the bone of contention among the nearly 50 videos presented - worldwide media attention from Europe to the USA and India followed. Mostly it was factual, easily amused reporting and there was consent. Of conservative Page was also a serious concern - to condemnation of the spot as "pornography" - expressed. In the case of harmless destruction of European culture was concerned, because the movies comes along too loose and superficial - the very Harten saw a "socialist dictatorship" in the suit, including moral decay.
evil which unfortunately come almost to be expected from Poland to complaints about the homosexual couple that rolls all of two seconds before their eyes hurt. One might then say only: Yes but then goes out again. But on the other hand, it wants the gay and lesbian Poland with such people not be alone.
If Godfrey Bloom, member of the European Parliament critical of the European UK Independence Party says the video is so embarrassing, "like watching an older relative, who tries to be cool," one may, however, almost smiling. The conservative blue and yellow design of the EU-YouTube website shows, in fact, as the equivalent to the gray official suit - and also the educational film character of most videos on EU-related issues of immigration and changes in the sugar market will elicit little young viewers behind the stove .
The knee-jerk outcry that for something silly respectively Tasteless or - Oh my God - yes again indecent tax money would be wasted, however, is entirely in the void. Rather, here the EU has even a lesson for cheap, effective advertising presented: The Films - cut from existing material - each cost 350 €, YouTube offers for private users as its services for free. Within a week of "Sex" clip came from a few thousand to over 3 million hits to date. A sad fate as the lonely video on the YouTube channel of the British government, which since February has not yet found the 300 spectators. Another argument for the slogan of the EU's commercials: "Come together".
EUtube Home (English)
German side of EU Tube (still without the video that there are, however, with a German guy
side of the Media program, where there is to see the four commercials
abbreviated version appeared in the taz from 07/10/2007
Suspected sex films to hit the new EU platform on the video portal YouTube
better it would not be eligible for the makers can: with a minor scandals are procured, the new YouTube channel of the European Union's unexpected popularity. Some EU officials had dared to loosen his tie knot a bit. They cut together for a publicity campaign for the European film of MEDIA scenes from award-winning European films to emotional issues such as love, grief and friendship - and, more than Geck, about sex.
In the clip, which runs on YouTube under "Film Lovers Will Love This," will be shown in 44 seconds 18 love scenes. be hectic as things torn from the body, it gets a little moaning and shaking the dishes to the rhythm of the body. Anything with wit and without a Fitzelchen meat is visible from the "wrong" place. The whole thing bothered anybody for a long time. The commercials were shown at the Berlinale in February and since then also be seen on the relevant EU sites. Mid-June, they were - and still to the exclusion of the wider public - on YouTube.
Only as of 29 June, the EU's YouTube channel has been opened officially, British press discovered the bone of contention among the nearly 50 videos presented - worldwide media attention from Europe to the USA and India followed. Mostly it was factual, easily amused reporting and there was consent. Of conservative Page was also a serious concern - to condemnation of the spot as "pornography" - expressed. In the case of harmless destruction of European culture was concerned, because the movies comes along too loose and superficial - the very Harten saw a "socialist dictatorship" in the suit, including moral decay.
evil which unfortunately come almost to be expected from Poland to complaints about the homosexual couple that rolls all of two seconds before their eyes hurt. One might then say only: Yes but then goes out again. But on the other hand, it wants the gay and lesbian Poland with such people not be alone.
If Godfrey Bloom, member of the European Parliament critical of the European UK Independence Party says the video is so embarrassing, "like watching an older relative, who tries to be cool," one may, however, almost smiling. The conservative blue and yellow design of the EU-YouTube website shows, in fact, as the equivalent to the gray official suit - and also the educational film character of most videos on EU-related issues of immigration and changes in the sugar market will elicit little young viewers behind the stove .
The knee-jerk outcry that for something silly respectively Tasteless or - Oh my God - yes again indecent tax money would be wasted, however, is entirely in the void. Rather, here the EU has even a lesson for cheap, effective advertising presented: The Films - cut from existing material - each cost 350 €, YouTube offers for private users as its services for free. Within a week of "Sex" clip came from a few thousand to over 3 million hits to date. A sad fate as the lonely video on the YouTube channel of the British government, which since February has not yet found the 300 spectators. Another argument for the slogan of the EU's commercials: "Come together".
EUtube Home (English)
German side of EU Tube (still without the video that there are, however, with a German guy
side of the Media program, where there is to see the four commercials
aufmerksamkeitsoekonomie © Barbara Mürdter 
Monday, July 9, 2007
Maternity Letter To Employer Template
The end of the bohemian
text: Barbara Mürdter
was really only a matter of time, in view of urban development in Manhattan: After the closure of the CBGB because of massive rent increases in October 2006 it is now the Chelsea Hotel to the collar. On 18 June, the now 73 year old Stanley Bard from the Management been pushed. In 1955 he took over the hotel that his father - had bought in the 40s - with two partners. He led a family that was meant to continue his son David. The heirs of the co-owners established a requirement that for him in the management company DB Hotels is used, the reader already has a few hotels in Manhattan to date - but the zeitgeist that has little to do with what represents the legendary hotel.
This had boasts some decades famous writers, musicians and artists, often as a permanent resident, in which the chief turning a blind sometimes a blind eye when the rent on time was not - But where it should be a legend that he had some also live in vain. It was at the central works of American culture - and the hotel was site of several personal tragedies such as the (never solved) murder of Nancy Spungen by Sid Vicious. Dylan Thomas drank himself to death here, Arthur Miller wrote in room 711 to be successful play A View from the Bridge to the operetta, Arthur C. Clark wrote in the Chelsea Hotel, the new century "2001 - A Space Odyssey." Leonard Cohen spent just one night there with Janis Joplin - and immortalized the experience in his song "Chelsea Hotel", Andy Warhol filmed here a "superstar" in the film "Chelsea Walls" from 2001, with Ethan Hawke (and the music of Wilco) the legend of the hotel and the artist himself is living subject.
Photo: Wikipedia / Calton
The house - 1883 built as the apartment block - Anno 2007 is well rocked pretty - the atmosphere is dingy, power cycles of failure of the new-fangled double burden of computer and hair dryer more state and ever, the hotel is in the last 30 years, newly renovated Manhattan an anachronism. It is the last vestige of the bohemian culture that the city in the 20th Century to the creative hub of the world, the yearning of many artists and culture lovers will be allowed, which represented the feelings of what connects you with New York. This culture was through the rehabilitation of Manhattan and was thus displaced beyond measure rising property prices on the Peninsula in recent years more and more and today it is barely existent, since hardly artists - that unless he David Bowie - the exorbitant rents or purchase prices here can afford. For this is to leave here raul real estate so attractive to speculators that they will use any means necessary, disagreeable and not according to ability to pay tenant or former owner.
are now not entirely unjustified fears that the hotel sent up the tight environment to be adjusted. The new managers have already announced a renovation - But they want to supposedly get the old character of the hotel and erect it again even in praise of his old days back. However, after the expected rent adjustment without the majority of its permanent residents, who make up at least 2 / 3 of guests - many of them can now afford the rent for the area unbeatable bargain of less than 1,000 dollars a month, hardly. also observed a reporter for The Independent that the new manager at room visit could hardly hide, as they were disgusted by the condition of the hotel. Hotel residents who doubt too that the new manager a sense of story of the place and the will have to respect this lead for some time a blog. Here they gather critical information and links to articles about the hotel.
A wonderful watch, knowing and all its objectivity deeply passionate book on the cultural, economic, social and political development of New York in the 1980s until the early 2000s, in the context of the subcultures of the past decade and the changes to see are the journalist Andrian Kreye has written: "Broadway corner Chanal" (2004, Droemer / Knaur, ISBN: 3426777517).
Photo: Wikipedia / Daniel Schwen
Photo : Wikipedia / Gyrofrog
text: Barbara Mürdter
was really only a matter of time, in view of urban development in Manhattan: After the closure of the CBGB because of massive rent increases in October 2006 it is now the Chelsea Hotel to the collar. On 18 June, the now 73 year old Stanley Bard from the Management been pushed. In 1955 he took over the hotel that his father - had bought in the 40s - with two partners. He led a family that was meant to continue his son David. The heirs of the co-owners established a requirement that for him in the management company DB Hotels is used, the reader already has a few hotels in Manhattan to date - but the zeitgeist that has little to do with what represents the legendary hotel.
This had boasts some decades famous writers, musicians and artists, often as a permanent resident, in which the chief turning a blind sometimes a blind eye when the rent on time was not - But where it should be a legend that he had some also live in vain. It was at the central works of American culture - and the hotel was site of several personal tragedies such as the (never solved) murder of Nancy Spungen by Sid Vicious. Dylan Thomas drank himself to death here, Arthur Miller wrote in room 711 to be successful play A View from the Bridge to the operetta, Arthur C. Clark wrote in the Chelsea Hotel, the new century "2001 - A Space Odyssey." Leonard Cohen spent just one night there with Janis Joplin - and immortalized the experience in his song "Chelsea Hotel", Andy Warhol filmed here a "superstar" in the film "Chelsea Walls" from 2001, with Ethan Hawke (and the music of Wilco) the legend of the hotel and the artist himself is living subject.
Photo: Wikipedia / Calton The house - 1883 built as the apartment block - Anno 2007 is well rocked pretty - the atmosphere is dingy, power cycles of failure of the new-fangled double burden of computer and hair dryer more state and ever, the hotel is in the last 30 years, newly renovated Manhattan an anachronism. It is the last vestige of the bohemian culture that the city in the 20th Century to the creative hub of the world, the yearning of many artists and culture lovers will be allowed, which represented the feelings of what connects you with New York. This culture was through the rehabilitation of Manhattan and was thus displaced beyond measure rising property prices on the Peninsula in recent years more and more and today it is barely existent, since hardly artists - that unless he David Bowie - the exorbitant rents or purchase prices here can afford. For this is to leave here raul real estate so attractive to speculators that they will use any means necessary, disagreeable and not according to ability to pay tenant or former owner.
are now not entirely unjustified fears that the hotel sent up the tight environment to be adjusted. The new managers have already announced a renovation - But they want to supposedly get the old character of the hotel and erect it again even in praise of his old days back. However, after the expected rent adjustment without the majority of its permanent residents, who make up at least 2 / 3 of guests - many of them can now afford the rent for the area unbeatable bargain of less than 1,000 dollars a month, hardly. also observed a reporter for The Independent that the new manager at room visit could hardly hide, as they were disgusted by the condition of the hotel. Hotel residents who doubt too that the new manager a sense of story of the place and the will have to respect this lead for some time a blog. Here they gather critical information and links to articles about the hotel.
A wonderful watch, knowing and all its objectivity deeply passionate book on the cultural, economic, social and political development of New York in the 1980s until the early 2000s, in the context of the subcultures of the past decade and the changes to see are the journalist Andrian Kreye has written: "Broadway corner Chanal" (2004, Droemer / Knaur, ISBN: 3426777517).
Photo: Wikipedia / Daniel Schwen aufmerksamkeitsoekonomie ©Barbara Mürdter 
Friday, July 6, 2007
Very Low Cervix Early Pregnancy
Brussels
Although the Congo Free State was not officially a Belgian colony, Belgium was its chief beneficiary, in terms of its trade, the employment of its citizens, and the wealth which Leopold extracted which was used for the construction of numerous fine public buildings in Brussels, Ostend and Antwerp. This led to him being remembered in Belgium today as the 'Builder-King'. Through the Royal Trust he left most of his property to the nation.
Although the Congo Free State was not officially a Belgian colony, Belgium was its chief beneficiary, in terms of its trade, the employment of its citizens, and the wealth which Leopold extracted which was used for the construction of numerous fine public buildings in Brussels, Ostend and Antwerp. This led to him being remembered in Belgium today as the 'Builder-King'. Through the Royal Trust he left most of his property to the nation. aufmerksamkeitsoekonomie ©Barbara Mürdter 
Saturday, June 16, 2007
Wednesday, June 13, 2007
Tuesday, June 5, 2007
Floor Plans For Granny Flat
Musical crutches
Photo Copyright: Metro.co.uk / Press Photo
probably have heard of YouTube never what before was because her own video, and MP3 and the Internet were foreign words. The Rolling Stones could be their children or even almost all of their grandchildren, The Who, whose song "My Generation" they covered now, they have their best times hardly aware of them - the pastimes of their youth was more of the classic 20s to 40s tea dance with hits and novelty songs. The boldest was probably a jaunty swing.
are talking about the latest chart toppers in the UK, The Zimmers . The retired band with the ironic name "The agents" with their debut single of the new hype in Britain. The album will follow soon. With 40 members, made sure that not everything will collapse if even one or the other is under the earth - What we hope will Nocht anyway. Even the life story of Buster Martin lead singer reads so incredible that one has doubts about their veracity.
wants with her debut single, the English-Buena Vista Social Club, which has however been largely operated never publicly musical, among other things to draw attention to the situation of older people in Great Britain. First, to show what they have on the chest and the other one wants the money that is taken with the album, donate other old people who are not as good a shape as the merry band. The project was initiated by the BBC journalist Tim Samuels, who made a documentary about the problems of old people turned.
Photo Copyright: Metro.co.uk / Press Photo probably have heard of YouTube never what before was because her own video, and MP3 and the Internet were foreign words. The Rolling Stones could be their children or even almost all of their grandchildren, The Who, whose song "My Generation" they covered now, they have their best times hardly aware of them - the pastimes of their youth was more of the classic 20s to 40s tea dance with hits and novelty songs. The boldest was probably a jaunty swing.
are talking about the latest chart toppers in the UK, The Zimmers . The retired band with the ironic name "The agents" with their debut single of the new hype in Britain. The album will follow soon. With 40 members, made sure that not everything will collapse if even one or the other is under the earth - What we hope will Nocht anyway. Even the life story of Buster Martin lead singer reads so incredible that one has doubts about their veracity.
wants with her debut single, the English-Buena Vista Social Club, which has however been largely operated never publicly musical, among other things to draw attention to the situation of older people in Great Britain. First, to show what they have on the chest and the other one wants the money that is taken with the album, donate other old people who are not as good a shape as the merry band. The project was initiated by the BBC journalist Tim Samuels, who made a documentary about the problems of old people turned.
aufmerksamkeitsoekonomie © Barbara Mürdter 
Saturday, June 2, 2007
Can I Have Members Section Account On Doujin Moe
Histories
The hands of art critic, AIDS activist and Warhol expert Douglas Crimp.
The hands of art critic, AIDS activist and Warhol expert Douglas Crimp.
aufmerksamkeitsoekonomie © Barbara Mürdter 
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